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Copyright In The Cultural Industries

Edited by Ruth Towse, Professor of the Economics of Creative Industries, CIPPM, Bournemouth University, UK and Professor Emerita, Erasmus University Rotterdam, The Netherlands
2002 288 pp Hardback 978 1 84064 661 0 £68.00 on-line discount £61.20
    This book is also available as an ebook 978 1 84376 541 7

‘Lawyers who are interested in looking beyond the law as it is, to see how economists are questioning copyright systems as they respond to technological change, are sure to find something of interest in this collection.’
– David Lewisohn, Entertainment Law Review

‘. . . this collection of essays is soundly written and impressively backed up by references to source materials. It provides some stimulating reading.’
– Kevin Garnett, Copyright World Magazine

A great deal has been written on the theoretical aspects of copyright and the cultural industries but much less on the applied side – how copyright law works in practice. How do lawyers, firms and artists manage and administer copyright and what economic and legal problems does this raise? In recent times in particular, technological inventions appear to have outpaced the development of copyright law. This illuminating book addresses these issues and looks at the serious implications for copyright policy in the future.

Contents: Preface Introduction 1. Copyright and the Cultural Industries: The Policymaker’s View 2. Copyright, Borrowed Images and Appropriation Art: An Economic Approach 3. Choice of Law Issues in Relation to Copyright 4. Copyright and Freedom of Expression: An Economic Analysis 5. Copyright in the Digital Age: The Economic Rationale 6. Copyright Compulsory Licensing and Incentives 7. Copyright and Corporate Power 8. The Abolition of Copyrights: Better for Artists, Third World Countries and the Public Domain 9. Copyright Societies Do Not Administer Individual Property Rights: The Incoherence of Institutional Traditions in Germany and the UK 10. Music Licensing in the Digital Age 11. Copyright Protection, Appropriability and New Cultural Behaviour 12. Performers in the Digital Era: Empirical Evidence from Japan 13. Creativity without a Copyright: Music Production in Vienna in the Late Eighteenth Century 14. Exploiting Museum Images 15. Copyright in the Digital Age: Opportunities and Drawbacks for Scientific Research 16. The Problems of Authors’ Property Rights Administration in Russia Index Contributors: B. Aalberts, A. Beunen, M.A. Einhorn, J. Farchy, T. Gallagher, J. Hakfoort, M. Kretschmer, W.M. Landes, E. Levshina, F. Macmillan, S. Matsumoto, N. Pakhomova, E. Reale, F. Rochelandet, M. Rushton, J. Smiers, P.L.C. Torremans, R. Towse, P. Tschmuck, F. van der Ploeg





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